Katie Anderson

Artist based in South West Scotland; interested in people, places, materials and collaborative practice.


Excited to have new work showing in Edinburgh as part of Upland’s SURGE exhibition at the Patriothall Gallery next month. The exhibition launch evening is free and open to everyone, if you are about in Edinburgh town please come and see some new work from a selection of excellent D&G based artists.

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Wave Decay, Sanctuary Headed

Really excited to announce that Wave Decay will be making a second appearance, later this year at Sanctuary. Having first created the sound and sculptural installation in collaboration with Justin K Prim last summer for Milkbank House, (details available here) the work is now being redeveloped for a new location in the Galloway Forest Park.

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Full details about the project at Sanctuary here

Running on the Backs of Whales

Beautiful weekend was spent in Galloway avoiding the rain showers, running across the flat and empty Solway, and revisiting the Stove’s Ferry Bell in Creetown.

Also, very excitingly, I went to check out a potential new location for an installation work later in the year. ‘Like the backs of whales’ was the general descriptor we went out on the search for.


And so it seemed. Huge granite spines crack open the surrounding greenery, heaving gently through the landscape.


There’s a tiny human (full size) for scale reference.

The surfaces and textures are beautiful, and the sense of scale about the place before it opens up to reveal the valley and burn running below are perfect.

The site might be well known to you if you are a particularly adventurous mountain biker, as the McMoab Stones feature on the area’s more hardcore mountain biking routes, but it is a beautiful site to explore on foot equally.

There’s quite a bit of logistics and detail to figure out next, but I am IN LOVE with this location. (Thanks Robbie, for the hint.)

Stay tuned.

Casting in progress


Have paired up with blueprint100 to kick some work creating a collection for the new DGRI, due to open at the end of the year. Working with several different groups across the region, I am hoping to build up a collection of curiosities; small objects and ephemera, that can create conversation and distraction within some of the spaces in the new hospital.


blueprint100 are the first group I have worked with on this project, but hoping to connect with several others to make up all of the work required over the next couple of months. The objects are all being created using the Stove’s Pedal Powered Foundry – a unique and quirky kit that can enable small scale metal castings in a variety of metals and using a variety of processes.


The blueprint100 sessions fell neatly into two parts, the first in the studio, the second down on the Mill Green in blazing sunshine.


Above, Agné’s tree, and below Jimmy’s Lochside and Lincluden crest.


Thank you to everyone who donated a piece towards the collection, and the blueprint100 team for their support. Also thanks to Sophie for being my helpful assistant throughout both workshops. More workshops and objects coming soon!

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The beginnings of a new project that has been under wraps for a while, but is now just starting to emerge! Myself and Kirsty Turpie will be effectively artists in residence in Lochside, popping up at the Family Centre and at various events over the next while. Drop in for a chat and to hear […]

High Street Neighbours


Describe neighbourliness.


What might a High Street community look like?


Who, or what else, lives in the town centre?

neighbour usage decline

The usage of the word ‘neighbour’ has been in steady decline since the 1840’s.

It’s been Guid Nychburris (Good Neighbours to all of those not originally from or local to Dumfries), this week and the Stove has been exploring ‘neighbourliness’ as part of our current Conversing Buildings project. The building has gone a little Christo inspired, in what is definitely the brightest and boldest we have gone with celebratory decorations so far.

The sign board has also had a make over, prompting our latest favourite anagram game.



High Street Neighbours is part of our TAKEOVER theme, a series of events and activites focused around community takeover and creativity. Stay tuned to the Stove for more details.

Making Economies and the importance of process and making

Earlier in the year I was invited as the Stove Network to take part in TAKTAL’s monthly Pecha Kucha event. In April, the theme was Making Economy, looking at projects around Scotland that have maker culture and hands-on skill production as an invested part of their approach. There were some really great speakers and projects, and you can check out my contribution on the Stove’s visual art strand here:

Thanks to TAKTAL, Abigale and the rest of the team for the invitation and the warm welcome! (Also thanks to stovies Ellie and David Smith for coming along and waving the Stove flag of support!)


they just don’t make them like they used to

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Been feeling a little playful lately, and enjoying the luxury of my studio that is no longer a building site. Stitching and something that could only very loosely be described as embroidery, appears every so often in my work, and has done since my very first foundation art course way back whenever. I’m not exactly technically capable, but having helped out with The Stove’s Stitching Our Story project for the afternoon – Deirdre Nelson advised a useful approach to stitching handwriting.

During the rebuild of my studio, I’ve been gathering odd objects and ruminating on them throughout the more repetitive stages of renovation, so a series has started to form around the making of everyday objects.

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Floor board nails. Serious beasts to extract from the boards and beams they have presumably sat within since the buildings erection in 1840. I’ve been treasuring handfuls of them, as much for the effort involved in pulling them up in the first place. (Most of the floor remains fortunately untouched, but some sections did have to be lifted to make way for the large quantities of insulation I’ve carefully packed into every available space..)

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A small series of these works are now to appear as part of an Upland exhibition later in the year at the Patriothall gallery in Edinburgh! Full details of SURGE available here

Durational Time, and Place


These have grown steadily from a rough idea, exploring genetic chromosome mapping, clockwork mechanisms, and tree rings. The outer ring, made up of 23 bands has grown visually from similar circular chromosome maps, abstracted back as one of a series of slow moving rings. The piece, to move in it’s own timeframe forms the first in a series of works focused on staying and waiting within a hospital environment.


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Thanks to Samuel at the Dumfries MakLab for helping me get started with these. I’m currently on the hunt for someone clever with mechanisms and kinetic artworks… if that’s you, drop me an email!


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Did you know yellow is a bad colour for those suffering from migranes? Neither did I. Apparently it’s a much more anxious colour than it’s sunny disposition might suggest..!


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I shouldn’t like these colours. But I really like these colours. These colours are in the process of being toned down appropriately. Turns out I like coloured vinyl more than I thought I would.

How can we influence the experience people have when in hospitals? Can works be stimulating and engaging but still remain sensitive to the needs of all hospital users? How can works engage with the fluctuating community of a hospital environment? What is the role of art in hospitals? How does creative environment interact with the medical one?

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To be able to locate ourselves within a wider sense of landscape, I’ve started to look at different scales and details of our surrounding environment when reflecting on the spaces where people will be spending long periods of time.

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A transparent vinyl landscape to cross the windows, letting in light and seeing through, bringing colour into the room during sunnier days.

Conversation has largely grown around about balance and challenge, finding an intersection of interest and placing a contesting object or artwork at the point of meeting and testing the possible responses. Hospital typography and signage, floor materials and the typical vinyl backed hospital furniture, mysteries of infection control and some violent cleaning products – the language of a hospital is a new one full of new approaches and conversations.

The authentic material – real materials of the earth, are rarely present in our hospitals, with the predominate choices being vinyl surfaces (floors, walls, some ceilings, most furniture), laminates and plastics, the sense of identity through tactile experience is pretty limited. This calls for a whole new set of approaches, as these materials are all invested in the easy-clean approach of a busy and constant working environment, and alternatives are eschewed in favour of more reliable constants.

Things are getting interesting.


Huge thanks to Dress for the Weather for the opportunity to work on this so far, and looking forward to the next stages!

Wave Decay Sonotorium

sound | art | light | space

18th – 21st August 2016

Follow the Annandale Way
Step lightly
Imagine the wild as fragile
Immerse yourself in the sound fog


Wave Decay Sonotorium was a three day sound and sculptural installation created for Milkbank House, a now ruinous 19th century country house in rural Dumfries and Galloway. Working in collaboration with sound artist and energy healer Justin K Prim, the work was developed over the course of a year in response to the site and an exploration of sine wave tones.

Powered by a custom build multi-channel amplifier and speaker system, Wave Decay Sonotorium aimed to use sound to transform the space and shape the experience of exploration. A series of eight sculptural speakers, were installed throughout the ruined remains, shaping the sound and in turn re-shaping the environment around them.


As viewers moved through the space, exploring nooks and crannies, the last moments of Milkbank as it is being reclaimed by the land, the sound of Wave Decay moved and altered with them, shaping the experience of place and changing our interpretation of space, if only temporarily.

The resonance coming through the sound horns, created and concieved by Justin, were pure sine wave tones. Tuned to harmonise perfectly with the natural resonant shape of the cochlea in the ear. The relationship between the eight notes uses an ancient tuning system, believed to be beneficial to the human mind and body.


On Thursday evening, the only dinner for 50 years was hosted in Milkbank House inviting guests to spend an extended time with Wave Decay Sonotorium

Wave Decay Sonotorium was made possible with the kind support of DG Unlimited, Dumfries and Galloway Council, The Stove Network, The Holywood Trust, Robin Bell-Irving, Will, Ruth and Graeme Anderson, Robbie Coleman, Matt Baker, Mairi Singleton and the take down team family Wallace! Huge thank you’s are due to you all.

Full details of the project are available on our website, available here