Katie Jo Anderson

Artist based in South West Scotland; interested in people, places, materials and collaborative practice.

Category: Uncategorized

SURGE, and they just don’t make them like they used to

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Great to see this work finally up in the Patriothall Gallery in Edinburgh at the beginning of the month, after it’s been sitting about in my studio/in my brain for quite a while. Patriothall is a great exhibition space, very well hidden down an alley way in Stockbridge – the poshest place in Edinburgh, surely. SURGE, a group exhibition curated and organised by Upland, featured a really nice mixture of familiar and new works by 12 artists from across Dumfries and Galloway, and made a nice collection in the space. This has been my first exhibition in the central belt (!), but persuading new audiences into a space like this turns out to be trickier than it might have been. However, great to get the work out, framed and onto the wall somewhere, and spot the red dot tucked away underneath one!

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It’s always the favourites that go, and so it is this time too, but so glad it has gone to a good home (big thank you to Clare for the support!).

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My first experience also with a professional framer, and have to say how beautifully framed these look with thanks to Sam Cartman for sorting me out last minute and getting them finished perfectly.

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Also, thanks to Upland for all the organising and for selecting the work-in-progress. It’s interesting to continue to look, playfully at the art gallery situation as a potential site or location for artworks, even if I often feel a bit puzzled as to their purpose once there. Potentially as a stepping stone towards the more personal, domestic environment gives the artwork a lifespan and new location to relate to.

‘they just don’t make them like they used to’ arrived after a long period of learning how to lift floors during my studio renovations last year. The length of the nails, coupled with the beautiful, heavy floor boards made the task arduous and lengthy, as the floorboards were lifted, possibly for the first time in their 170 year life; and this sparked an importance of keeping traces of this lifting, moving and replacing, of acknowledging the makers and tradespeople who came before.

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Also, on the way back to the car, we spotted this excellent ghost sign, with layers of businesses and lettering on show. Super nice.

I’m on the hunt for gallery spaces for next year in Glasgow, Edinburgh, Dundee, Newcastle or somewhere else out with D&G, that might be interested in a proposal for an exhibition featuring sculptures, film and photographs (possibly audio) as an installation exploring landscape and the documentation of one of my site specific pieces. If you’ve got any suggestions of places that might be interested or that I could approach, please give me a shout.

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Wave Decay heads for Sanctuary

This is really a work about listening.
It is about what you hear before, during and afterwards.

It is about the act of listening, and about experiencing through listening.
It is about how we understand environment, through our audible landscapes.

It is about switching on and tuning in, in order to switch off.

Come and explore with me. Wave Decay will re-emerge from an indecisive few months of false starts ad uncertainty in it’s new beauty as an experiment in the wilds of Galloway as part of Sanctuary Lab. The installation will run from 10am on Sunday morning, 24th September, all are welcome. Full details available here, hope to see you there!

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Excited to have new work showing in Edinburgh as part of Upland’s SURGE exhibition at the Patriothall Gallery next month. The exhibition launch evening is free and open to everyone, if you are about in Edinburgh town please come and see some new work from a selection of excellent D&G based artists.

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Wave Decay, Sanctuary Headed

Really excited to announce that Wave Decay will be making a second appearance, later this year at Sanctuary. Having first created the sound and sculptural installation in collaboration with Justin K Prim last summer for Milkbank House, (details available here) the work is now being redeveloped for a new location in the Galloway Forest Park.

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Full details about the project at Sanctuary here

Running on the Backs of Whales

Beautiful weekend was spent in Galloway avoiding the rain showers, running across the flat and empty Solway, and revisiting the Stove’s Ferry Bell in Creetown.

Also, very excitingly, I went to check out a potential new location for an installation work later in the year. ‘Like the backs of whales’ was the general descriptor we went out on the search for.

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And so it seemed. Huge granite spines crack open the surrounding greenery, heaving gently through the landscape.

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There’s a tiny human (full size) for scale reference.

The surfaces and textures are beautiful, and the sense of scale about the place before it opens up to reveal the valley and burn running below are perfect.

The site might be well known to you if you are a particularly adventurous mountain biker, as the McMoab Stones feature on the area’s more hardcore mountain biking routes, but it is a beautiful site to explore on foot equally.

There’s quite a bit of logistics and detail to figure out next, but I am IN LOVE with this location. (Thanks Robbie, for the hint.)

Stay tuned.

Casting in progress

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Have paired up with blueprint100 to kick some work creating a collection for the new DGRI, due to open at the end of the year. Working with several different groups across the region, I am hoping to build up a collection of curiosities; small objects and ephemera, that can create conversation and distraction within some of the spaces in the new hospital.

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blueprint100 are the first group I have worked with on this project, but hoping to connect with several others to make up all of the work required over the next couple of months. The objects are all being created using the Stove’s Pedal Powered Foundry – a unique and quirky kit that can enable small scale metal castings in a variety of metals and using a variety of processes.

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The blueprint100 sessions fell neatly into two parts, the first in the studio, the second down on the Mill Green in blazing sunshine.

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Above, Agné’s tree, and below Jimmy’s Lochside and Lincluden crest.

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Thank you to everyone who donated a piece towards the collection, and the blueprint100 team for their support. Also thanks to Sophie for being my helpful assistant throughout both workshops. More workshops and objects coming soon!

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The beginnings of a new project that has been under wraps for a while, but is now just starting to emerge! Myself and Kirsty Turpie will be effectively artists in residence in Lochside, popping up at the Family Centre and at various events over the next while. Drop in for a chat and to hear […]

High Street Neighbours

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Describe neighbourliness.

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What might a High Street community look like?

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Who, or what else, lives in the town centre?

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The usage of the word ‘neighbour’ has been in steady decline since the 1840’s.

It’s been Guid Nychburris (Good Neighbours to all of those not originally from or local to Dumfries), this week and the Stove has been exploring ‘neighbourliness’ as part of our current Conversing Buildings project. The building has gone a little Christo inspired, in what is definitely the brightest and boldest we have gone with celebratory decorations so far.

The sign board has also had a make over, prompting our latest favourite anagram game.

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H I G H S T R E E T N E I G H B O U R S

High Street Neighbours is part of our TAKEOVER theme, a series of events and activites focused around community takeover and creativity. Stay tuned to the Stove for more details.

they just don’t make them like they used to

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Been feeling a little playful lately, and enjoying the luxury of my studio that is no longer a building site. Stitching and something that could only very loosely be described as embroidery, appears every so often in my work, and has done since my very first foundation art course way back whenever. I’m not exactly technically capable, but having helped out with The Stove’s Stitching Our Story project for the afternoon – Deirdre Nelson advised a useful approach to stitching handwriting.

During the rebuild of my studio, I’ve been gathering odd objects and ruminating on them throughout the more repetitive stages of renovation, so a series has started to form around the making of everyday objects.

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Floor board nails. Serious beasts to extract from the boards and beams they have presumably sat within since the buildings erection in 1840. I’ve been treasuring handfuls of them, as much for the effort involved in pulling them up in the first place. (Most of the floor remains fortunately untouched, but some sections did have to be lifted to make way for the large quantities of insulation I’ve carefully packed into every available space..)

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A small series of these works are now to appear as part of an Upland exhibition later in the year at the Patriothall gallery in Edinburgh! Full details of SURGE available here

Durational Time, and Place

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These have grown steadily from a rough idea, exploring genetic chromosome mapping, clockwork mechanisms, and tree rings. The outer ring, made up of 23 bands has grown visually from similar circular chromosome maps, abstracted back as one of a series of slow moving rings. The piece, to move in it’s own timeframe forms the first in a series of works focused on staying and waiting within a hospital environment.

 

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Thanks to Samuel at the Dumfries MakLab for helping me get started with these. I’m currently on the hunt for someone clever with mechanisms and kinetic artworks… if that’s you, drop me an email!

 

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Did you know yellow is a bad colour for those suffering from migranes? Neither did I. Apparently it’s a much more anxious colour than it’s sunny disposition might suggest..!

 

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I shouldn’t like these colours. But I really like these colours. These colours are in the process of being toned down appropriately. Turns out I like coloured vinyl more than I thought I would.

How can we influence the experience people have when in hospitals? Can works be stimulating and engaging but still remain sensitive to the needs of all hospital users? How can works engage with the fluctuating community of a hospital environment? What is the role of art in hospitals? How does creative environment interact with the medical one?

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To be able to locate ourselves within a wider sense of landscape, I’ve started to look at different scales and details of our surrounding environment when reflecting on the spaces where people will be spending long periods of time.

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A transparent vinyl landscape to cross the windows, letting in light and seeing through, bringing colour into the room during sunnier days.

Conversation has largely grown around about balance and challenge, finding an intersection of interest and placing a contesting object or artwork at the point of meeting and testing the possible responses. Hospital typography and signage, floor materials and the typical vinyl backed hospital furniture, mysteries of infection control and some violent cleaning products – the language of a hospital is a new one full of new approaches and conversations.

The authentic material – real materials of the earth, are rarely present in our hospitals, with the predominate choices being vinyl surfaces (floors, walls, some ceilings, most furniture), laminates and plastics, the sense of identity through tactile experience is pretty limited. This calls for a whole new set of approaches, as these materials are all invested in the easy-clean approach of a busy and constant working environment, and alternatives are eschewed in favour of more reliable constants.

Things are getting interesting.

 

Huge thanks to Dress for the Weather for the opportunity to work on this so far, and looking forward to the next stages!