Durational Time, and Place
by Katie Anderson
These have grown steadily from a rough idea, exploring genetic chromosome mapping, clockwork mechanisms, and tree rings. The outer ring, made up of 23 bands has grown visually from similar circular chromosome maps, abstracted back as one of a series of slow moving rings. The piece, to move in it’s own timeframe forms the first in a series of works focused on staying and waiting within a hospital environment.
Thanks to Samuel at the Dumfries MakLab for helping me get started with these. I’m currently on the hunt for someone clever with mechanisms and kinetic artworks… if that’s you, drop me an email!
Did you know yellow is a bad colour for those suffering from migranes? Neither did I. Apparently it’s a much more anxious colour than it’s sunny disposition might suggest..!
I shouldn’t like these colours. But I really like these colours. These colours are in the process of being toned down appropriately. Turns out I like coloured vinyl more than I thought I would.
How can we influence the experience people have when in hospitals? Can works be stimulating and engaging but still remain sensitive to the needs of all hospital users? How can works engage with the fluctuating community of a hospital environment? What is the role of art in hospitals? How does creative environment interact with the medical one?
To be able to locate ourselves within a wider sense of landscape, I’ve started to look at different scales and details of our surrounding environment when reflecting on the spaces where people will be spending long periods of time.
A transparent vinyl landscape to cross the windows, letting in light and seeing through, bringing colour into the room during sunnier days.
Conversation has largely grown around about balance and challenge, finding an intersection of interest and placing a contesting object or artwork at the point of meeting and testing the possible responses. Hospital typography and signage, floor materials and the typical vinyl backed hospital furniture, mysteries of infection control and some violent cleaning products – the language of a hospital is a new one full of new approaches and conversations.
The authentic material – real materials of the earth, are rarely present in our hospitals, with the predominate choices being vinyl surfaces (floors, walls, some ceilings, most furniture), laminates and plastics, the sense of identity through tactile experience is pretty limited. This calls for a whole new set of approaches, as these materials are all invested in the easy-clean approach of a busy and constant working environment, and alternatives are eschewed in favour of more reliable constants.
Things are getting interesting.
Huge thanks to Dress for the Weather for the opportunity to work on this so far, and looking forward to the next stages!